Africa on the Contemporary London Stage [[electronic resource] /] / edited by Tiziana Morosetti |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (251 pages) |
Disciplina | 792.09421 |
Soggetto topico |
Theater
Theater—History Ethnology—Africa Contemporary Theatre Theatre History National/Regional Theatre and Performance African Culture |
ISBN | 3-319-94508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction; Tiziana Morosetti -- 2. Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not; James Gibbs -- 3. Africa on the British Stage, 1955-1966; Stephen J. Nicholson -- 4. ‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court; Tiziana Morosetti -- 5. Biyi Bandele’s Theatre of the Afropolitan Absurd; Michael Pearce -- 6. Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje’s The Estate and Iyale (The First Wife); Lynette Goddard -- 7. Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Gala; Sophie Duncan -- 8. Disrupting Historical Mis-Representations and Constructions: Talawa Theatre, Tiata Fahodzi and Representations of Polyphonic Africa on the Contemporary London Stage; Victor Ukaegbu -- 9. Iroko Theatre and the African Theatre-in-Education Scene in London; Alex Oma-Pius -- 10. ‘But [We] Will Delve One Yard below Their Mines/And Blow Them at the Moon’: Two Gents: ‘Africa’, Shakespeare, and the Silent Revolutio; Arne Pohlmeier -- 11. Interview with Ade Solanke; Tiziana Morosetti -- 12. Interview with Rotimi Babatunde; Ying Cheng -- 13. Interview with Dipo Agboluaje; Tiziana Morosetti. |
Record Nr. | UNINA-9910303437103321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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After In-Yer-Face Theatre [[electronic resource] ] : Remnants of a Theatrical Revolution / / edited by William C. Boles |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (255 pages) |
Disciplina | 792.09 |
Soggetto topico |
Theater
Theater—History Performing arts Contemporary Theatre Theatre History National/Regional Theatre and Performance Performing Arts Teatre |
Soggetto genere / forma | Llibres electrònics |
ISBN | 3-030-39427-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles -- 2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden -- 3. Chapter Three: “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders -- 4. Chapter Four: “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry -- 5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl -- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco -- 7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko -- 8. Chapter Eight: Surfing the Wave of In-Yer-Face Theatre on Australian Shores; Sandra Gattenhof -- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen -- 10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache -- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham -- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham -- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles -- 14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stöckl -- 15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World. |
Record Nr. | UNINA-9910483803703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Anti-War Theatre After Brecht [[electronic resource] ] : Dialectical Aesthetics in the Twenty-First Century / / by Lara Stevens |
Autore | Stevens Lara |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (X, 224 p.) |
Disciplina | 790 |
Soggetto topico |
Performing arts
Theater—History Communication Social media Performing Arts Theatre History Media and Communication Social Media |
ISBN | 1-137-53888-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. Performing the ‘War on Terror’ -- Chapter 2. From Epic to Dialectical Theatre -- Chapter 3. Tony Kushner’s Homebody/Kabul and Only We Who Guard the Mystery Shall be Unhappy -- Chapter 4. The Théâtre du Soleil’s Le Dernier Caravansérail -- Chapter 5. Caryl Churchill’s Iraq.doc and Seven Jewish Children: A Play For Gaza -- Chapter 6. Elfriede Jelinek’s Bambiland -- Conclusion -- Bibliography. |
Record Nr. | UNINA-9910255233703321 |
Stevens Lara | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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ANU Productions [[electronic resource] ] : The Monto Cycle / / by Brian Singleton |
Autore | Singleton Brian |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2016 |
Descrizione fisica | 1 online resource (XI, 109 p. 10 illus.) |
Disciplina | 790 |
Collana | Palgrave Pivot |
Soggetto topico |
Performing arts
Theater—History Social history Ethnology—Europe Great Britain—History Performing Arts Theatre History Social History British Culture History of Britain and Ireland |
ISBN | 1-349-95133-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. World’s End Lane -- 3. Laundry -- 4. The Boys of Foley Street -- 5. Vardo -- 6. Conclusion -- Bibliography. |
Record Nr. | UNINA-9910154821503321 |
Singleton Brian | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Asylum and Belonging through Collective Playwriting [[electronic resource] ] : "How much home does a person need?" / / by Helene Grøn |
Autore | Grøn Helene |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (267 pages) |
Disciplina | 792 |
Soggetto topico |
Theater
Playwriting Dramatists Emigration and immigration Theater—History Applied Theatre Playwrights and Playwriting Human Migration Contemporary Theatre and Performance |
Soggetto non controllato | Literature |
ISBN | 3-031-24808-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1:Introduction: ‘How Much Home Does a Person Need?’ -- Chapter 2: Ontologies of Belonging: Philosophical, Historical and Narratological Considerations -- Chapter 3: Dramaturgical Ethics: Undoing and Decreating -- Chapter 4: Ethnoplaywriting: Creating Belonging -- Chapter 5: Rebooting the Social Contract: Trampoline House and Deportation Centre Sjælsmark -- Chapter 6: Fieldwork Reflection: ‘Not just theatre, also politics, law’—Making Theatre in Deportation Centre Sjælsmark -- Chapter 7: ‘You are enough, you belong with us’: Reimagining Sisterhood as Collective Belonging -- Chapter 8: Fieldwork Reflection: The Sistas and Amazing Amelia -- Chapter 9: Conclusion: ‘Much Home’. |
Record Nr. | UNINA-9910728949003321 |
Grøn Helene | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Baroque, Venice, Theatre, Philosophy [[electronic resource] /] / by Will Daddario |
Autore | Daddario Will |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (IX, 261 p.) |
Disciplina | 792.09 |
Collana | Performance Philosophy |
Soggetto topico |
Theater—History
Aesthetics Europe—History—1492- Fine arts Theater Theatre History History of Early Modern Europe Fine Arts National/Regional Theatre and Performance |
ISBN | 3-319-49523-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index. |
Record Nr. | UNINA-9910255067903321 |
Daddario Will | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Barrie Kosky’s Transnational Theatres [[electronic resource] /] / edited by James Phillips, John R. Severn |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 |
Descrizione fisica | 1 online resource (XVI, 211 p. 39 illus., 35 illus. in color.) |
Disciplina | 306 |
Collana | Global Germany in Transnational Dialogues |
Soggetto topico |
Culture—Study and teaching
Performing arts Theater Mass media Theater—History Cultural Studies Theatre and Performance Arts Media Sociology Theatre History |
ISBN | 3-030-75028-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | It Begins with the Theatre: Barrie Kosky’s Workshop -- “Very much a laboratory”: Barrie Kosky and the Gilgul Ensemble 1991–1997 -- “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky -- Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival -- Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character -- When All Else Fails, Sing: Barrie Kosky’s The Women of Troy -- Barrie Kosky’s Grotesques and the Ecstasy of Theatre -- “Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg -- (Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg. |
Record Nr. | UNINA-9910495170403321 |
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Belly Dance, Pilgrimage and Identity [[electronic resource] /] / by Barbara Sellers-Young |
Autore | Sellers-Young Barbara |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XI, 170 p. 14 illus.) |
Disciplina | 792.8 |
Soggetto topico |
Dance
Theater—History Performing arts Theatre History Performing Arts |
ISBN | 1-349-94954-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Belly Dance -- Chapter 1. Egypt -- Chapter 2. Dancing the Goddess in Popular Culture -- Chapter 3. San Francisco and American Tribal Style -- Chapter 4. Fusion, Dark Fusion and Raqs Gothique -- Chapter 5. Belly Dance, Gender and Identity -- Chapter 6. Belly Dance and the Stage. |
Record Nr. | UNINA-9910149423703321 |
Sellers-Young Barbara | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Ben Jonson, John Marston and Early Modern Drama [[electronic resource] ] : Satire and the Audience / / by Rebecca Yearling |
Autore | Yearling Rebecca |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 500 |
Soggetto topico |
Literature, Modern
Theater—History Literature British literature Literature—History and criticism Early Modern/Renaissance Literature Theatre History Literature, general British and Irish Literature Literary History |
ISBN | 1-137-56399-0 |
Classificazione | LIT004120LIT013000LIT019000PER011020 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: -- Acknowledgements -- A Note on Editions -- Introduction: Why does Marston Matter? -- Prologue: The Problem of the Audience -- 1. The Playwrights and the Audience -- 2. Dramatic Satire and the Crisis of Authority -- 3. John Marston: Provoking the Audience -- 4. Jonson and Marston: 'I write just in thy vein, I' -- Conclusion -- Appendix: The Boy Actors: The Question of Intent -- Notes -- Bibliography -- Index. |
Record Nr. | UNINA-9910255232703321 |
Yearling Rebecca | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw and Beatrice Webb on poverty and equality in the modern world, 1905–1914 [[electronic resource] /] / by Peter Gahan |
Autore | Gahan Peter |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XXVI, 219 p.) |
Disciplina | 792.09 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater—History
Social history Ethnology—Europe British literature Literature, Modern—20th century Theatre History Social History British Culture British and Irish Literature Twentieth-Century Literature |
ISBN | 3-319-48442-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. 1884-1904, Introduction -- Chapter 2. 1905, Poverty, Salvation, and the Poor Law Commission -- Chapter 3. 1905-1909, Noises Off -- Chapter 4. 1909, The Minority Report -- Chapter 5. 1910, Campaign for the Prevention of Destitution -- Chapter 6. 1911, Travels -- Chapter 7. 1912, War on Poverty -- Chapter 8. 1913, The New Statesman and the Fabian Research Department -- Chapter 9. 1914, Redistribution and War -- Chapter 10.1915-1950, Epilogue -- Bibliography. |
Record Nr. | UNINA-9910255069703321 |
Gahan Peter | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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